"Del Rey"出版的书籍

Case of Conscience

Amazon.com Review

The citizens of the planet Lithia are some of the most ethical sentient beings Father Ramon Ruiz-Sanchez has ever encountered. True, they have no literature, no fine arts, and don't understand the concept of recreation, but neither do they understand the concepts of greed, envy, lust, or any of the sins and vices that plague humankind. Their world seems darned near perfect. And that is just what disturbs the good Father.

First published in 1959, James Blish's Hugo Award-winning A Case of Conscience is science fiction at its very best: a fast-paced, intelligent story that offers plenty of action while at the same time explores complex questions of values and ethics. In this case, Blish has taken on the age-old battle of good vs. evil. Lithia poses a theological question that lies at the heart of this book: is God necessary for a moral society? The Lithians are nothing if not moral. Not only do they lack the seven deadly sins, they also lack original sin. And without any sort of religious framework, they have created the Christian ideal world, one that humans would be eager to study and emulate. But is it too perfect? Is it in fact, as Father Ruiz-Sanchez suspects, the work of The Adversary? And what role does Egtverchi, the young Lithian raised on Earth, play? Is he an innocent victim of circumstance, or will he bring about the Dies Irae, the day of the wrath of God, upon the earth? The fate of two worlds hinges on the answers to these questions, and will lead to an ancient earth heresy that shakes the Jesuit priest's beliefs to their very core.

A Case of Conscience is a brilliant piece of storytelling, and it packs a lot into a scant 242 pages. Most readers will probably finish the book in one sitting, unable to stop until the spectacular denouement. But the questions posed by this little-known gem will stay with you for days afterward. --P.M. Atterberry

From the Inside Flap

Father Ruiz-Sanchez is a dedicated man--a priest who is also a scientist, and a scientist who is also a human being. He has found no insoluble conflicts in his beliefs or his ethics . . . until he is sent to Lithia. There he comes upon a race of aliens who are admirable in every way except for their total reliance on cold reason; they are incapable of faith or belief.

Confronted with a profound scientific riddle and ethical quandary, Father Ruiz-Sanchez soon finds himself torn between the teachings of his faith, the teachings of his science, and the inner promptings of his humanity. There is only one solution: He must accept an ancient and unforgivable heresy--and risk the futures of both worlds . . .

Pavane

Amazon.com Review

An ever-expanding subgenre of science fiction is devoted to "alternate worlds" or "alternate histories": fiction in which a crucial event goes differently than in the world we know, and history is changed. Keith Roberts's Pavane (1968) is set in a backward 20th century molded by the assassination of Queen Elizabeth I and the triumph of a militantly antiscience Catholic Church. This is a classic alternate history, in the same company as such highly regarded novels as L. Sprague De Camp's seminal Lest Darkness Fall (1941), in which a modern man slips back in time and attempts to avert the Dark Ages; Ward Moore's Bring the Jubilee (1953), set after the South wins the U.S. Civil War; and Philip K. Dick's The Man in the High Castle (1962), set after the Germans and Japanese win World War II. Lest Darkness Fall and The Man in the High Castle are justly famous; the other two classics, Bring the Jubilee and Pavane, are less well known, and that is a shame.

One reason for Pavane's relative obscurity among American SF readers might be its British setting and author (the Moore and Dick novels are both set in the U.S., and De Camp, Moore, and Dick were all American). Another reason might be that Pavane is a novel created from interrelated but standalone stories (six "measures," or novelettes, and a coda), and the stories are of varying quality. Most are wise, beautifully written, and intensely visualized, especially the opener, "The Lady Margaret," and the closer, "Corfe Gate"; but "Brother John," the story of the monk-artist who witnesses Inquisition tortures and sparks an anti-Church rebellion, is far less detailed, and sometimes even unclear. Another reason for the novel's obscurity may be that some of the stories/chapters have more of a fantasy feel than is typical of more recent alternate history. Also, the nature of the coda's revelations may put off some readers. Nonetheless, Pavane is an intelligent, powerful, and moving work, deserving of a wide readership. --Cynthia Ward

From Publishers Weekly

First published in 1968, these intricately linked short stories (broken into six measures and a coda) constitute a pioneering work of alternative history that has influenced many contemporary SF and fantasy writers. In them a twisted Church of Rome rules a modern world where steam locomotives are the primary mode of transportation, semaphores (telegraph signals moved by hand and read via binoculars) are used for communication and the horrors of the Inquisition continue. Why? Because in 1588 Queen Elizabeth I was assassinated, leading to the Spanish Armada's defeat of England and the subsequent suppression of the Protestant Church. But in this stately "dance" of stories, revolution becomes inevitable when society's natural cultural and scientific progress can no longer be contained. Roberts displays intense respect and love for history as he rewrites it with deft abandon. Three measures in particular stand out as profound today, just as they did when originally published: "The Signaller," which allegorically portrays a young guild member who pays a high price for his dedication to communication; "Brother John," a stunning portrayal of a devoted priest's traumatizing encounter with torture and his resultant reaction; and, finally, "The White Boat," another almost mythological piece about a young girl's obsession with a boat that can take her to freedom. All the other stories are excellent, but these are outstanding examples of why revolutions occur. Impact is doing a great service by reprinting this and other classics.

Copyright 2001 Cahners Business Information, Inc.

Mockingbird

Review

"A moral tale that has elements of Aldous Huxley's Brave New World, Superman, and Star Wars."--Los Angeles Times Book Review

"Set in a far future in which robots run a world with a small and declining human population, this novel could be considered an unofficial sequel to Fahrenheit 451, for its central event and symbol is the rediscovery of reading."--San Francisco Chronicle

"Because of its affirmation of such persistent human values as curiosity, courage, and compassion, along with its undeniable narrative power, Mockingbird will become one of those books that coming generations will periodically rediscover with wonder and delight."--The Washington Post

"I've read other novels extrapolating the dangers of computerization but Mockingbird stings me, the writer, the hardest. The notion, the possibility, that people might indeed lose the ability, and worse, the desire to read, is made acutely probable."--New York Times bestselling author ANNE MCCAFFREY

"Walter Tevis is science fiction's great neglected master, one of the definitive bridges between sf and literature. For those who know his work only through the movies, the lucid prose and literary vision of Mockingbird and The Man Who Fell to Earth will come as a revelation."
--AL SARRANTONIO, Author of The Five Worlds saga

From the Inside Flap

Mockingbird is a powerful novel of a future world where humans are dying. Those that survive spend their days in a narcotic bliss or choose a quick suicide rather than slow extinction. Humanity's salvation rests with an android who has no desire to live, and a man and a woman who must discover love, hope, and dreams of a world reborn.

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