SUMMARY: ""I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974. . . My birth certificate lists my name as Calliope Helen Stephanides. My most recent driver's license...records my first name simply as Cal."" So begins the breathtaking story of Calliope Stephanides and three generations of the Greek-American Stephanides family who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City, and the race riots of l967, before they move out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, "Middlesex "is an exhilarating reinvention of the American epic. Jeffrey Eugenides was born in Detroit, Michigan, in 1960, graduated from Brown University, and received an M.A. in English and Creative Writing from Stanford University in 1986. His first novel, "The Virgin Suicides," was published in 1993. Winner of the Pulitzer PrizeA "New York Times" Editors' ChoiceA "Los Angeles Times" Best BookNational Book Critics Circle Award NomineeLambda Literary Award Nominee In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry blond classmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop physically--leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all. The explanation for this shocking state of affairs is a rare genetic mutation--and a guilty secret--that have followed Callie's grandparents from the crumbling Ottoman Empire to Prohibition-era Detroit and beyond, outlasting the glory days of the Motor City, the race riots of 1967, and the family's second migration, into the foreign country known as suburbia. Thanks to the gene, Callie is part girl, part boy. And even though the gene's epic travels have ended, her own odyssey has only begun. Spanning eight decades--and one unusually awkward adolescence--Jeffrey Eugenides' long-awaited second novel is a grand, original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. Winner of the Pulitzer Prize "A towering achievement . . . A story that manages to be both illuminating and transcendent . . . [Eugenides] has emerged as the great American writer many of us suspected him of being."--Jeff Turrentine, "Los Angeles Times Book Review" "Jeffrey Eugenides is a big and big-hearted talent, and "Middlesex" is a weird, wonderful novel that will sweep you off your feet."--Jonathan Franzen "Impressive [and] wonderfully engaging . . . A Buddenbrooks-like saga that traces three generations' efforts to grapple with America and with their own versions of the American Dream . . . [Eugenides] has not only followed up on a precocious debut with a broader and more ambitious book, but in doing so, he has also delivered a deeply affecting portrait of one family's tumultuous engagement with the American 20th century . . . It is a novel that employs all its author's rich storytelling talents to give us one Greek-American family's idiosyncratic journey from the not-so-pearly gates of Ellis Island to the suburban vistas of Grosse Pointe, Michigan, while at the same time tracing the rise and fall in fortunes of Detroit, from its apotheosis as the Motor City in the 40's and 50's through the race riots of 1967 and its subsequent decline. It is also a novel that invokes ancient myths and contemporary pop songs to show how family traits and inclinations are passed down generation to generation, a novel that uses musical leitmotifs to show the unexpected ways in which chance and fate weave their improvisations into the loom of family life."--Michiko Kakutani, "The New York Times" "One of the delights of "Middlesex" is how soundly it's constructed, with motifs and characters weaving through the novel's episodes, pulling it tight . . . His narrator is a soul who inhabits a liminal realm, a creature able to bridge the divisions that plague humanity, endowed with 'the ability to communicate between the genders, to see not with the monovision of one sex but in the stereoscope of both. That utopian reach makes "Middlesex" deliriously American; the novel's patron saint is Walt Whitman, and it has some of the shagginess of that poet's verse to go along with the exuberance. But mostly it is a colossal act of curiosity, of imagination and of love."--Laura Miller, "The New York Times Book Review" "At last Detroit has its great novel. What Dublin got from James Joyce--a sprawling, ambitious, loving exasperated, and playful chronicle of all its good and bad parts--Detroit has from native son Eugenides."--"Detroit Free Press" "A towering achievement . . . A story that manages to be both illuminating and transcendent . . . [Eugenides] has emerged as the great American writer many of us suspected him of being."--Jeff Turrentine, "Los Angeles Times Book Review" "Whatever you might be expecting, "Middlesex" will surprise you . . . a rolling epic . . . the kind of book that urges you to be read in one day, then reread."--Jonathan Safran Foer, "Bomb" "Rollicking, gleefully inventive . . . "Middlesex" serves as a tribute to Nabokovian themes . . . Eugenides recounts the revelation of Callie's genetic abnormality through a series of near-discoveries that are amazingly, comically missed."--"The Washington Post" "A big, cheeky, splendid novel, and its confidence is part of its success, because it goes places few narrators would dare to tread . . . Because Eugenides has imbued his second novel with transcontinental range and historical depth, he has thrown open the gates of Ithaca and sent his narrator on the road. And because he has remembered that the human experience of it is the sine qua non of any adventure, he has given us something lyrical and fine."--Gail Caldwell, "The Boston Globe" ""Middlesex" is a novel about discovery, one man's discovery of his place in the world and acceptance of his singularity, his uniqueness. In the process, it is a novel that challenges our preconceptions about gender and our understanding of the universal truths of growing up and growing old."--Michael Pearson, "The Atlanta Journal-Constitution" ""Middlesex" sweeps the reader along with easy grace and charm, tactfully concealing intelligence, sophistication, and the ache of earned wisdom beneath bushels of inventive storytelling . . . the novel's carefully studied casual look . . . [is] a little like Callie's mismatched features-'taken all together, something captivating emerged. An inadvertent harmony.'"--"The New York Observer" "An Epic . . . This feast of a novel is thrilling in the scope of its imagination and surprising in its tenderness."--"People " "["Middlesex" is] one of the most impressive American novels . . . Eugenides has created a spirited, high-energy comic epic. At once remarkably readable, intelligent, and moving, Middlesex becomes that rare cultural hybrid, a page-turner that wows the critics."--"Newsday" "A big book so wildly imagined . . . and yet so warm-hearted that it's hard to resist . . . it is frequently hilarious and touching."--"USA Today " "An often affecting, funny, and deeply human book . . . a charming writer . . . "Middlesex" is enormously ambitious book, whose many stories do indeed gather to present a broad swath of Greek-American life."--"The New Republic " "The verbal energy and narrative range of Saul Bellow's early fiction (say, " The Adventures of Augie March") are born again in this dazzling novel . . . A virtuosic combination of elegy, sociohistorical study, and picaresque adventure: altogether irresistible."--"Kirkus Reviews" "In his second novel, the author once again proves himself to be a wildly imaginative writer . . . Likely to hold readers in thrall with its affecting characterizations of a brave and lonely soul and its vivid depiction of exactly what it means to be both male and female."--Joanne Wilkinson, "Booklist" "Eugenides proves that he is not only a unique voice in modern literature but also well versed in the nature of the human heart. Highly recommended."--"Library Journal" "From the opening paragraph, in which the narrator explains that he was 'born twice, ' first as a baby girl in 1960, then as a teenage boy in 1974, readers are aware that Calliope Stephanides is a hermaphrodite. To explain his situation, Cal starts in 1922, when his grandparents came to America. In his role as the 'prenatal narrator, ' he tells the love story of this couple, who are brother and sister; his parents are blood relatives as well. Then he tells his own story, which is that of a female child growing up in suburban Detroit with typical adolescent concerns. Callie, as he is know then, worries because she hasn't developed breasts or started menstruating; her facial hair is blamed on her ethnicity, and she and her mother go to get waxed together. She develops a passionate crush on her best girlfriend, 'the Object, ' and consummates it in a manner both detached and steamy. Then an accident causes Callie to find out what she's been suspecting--she's not actually a girl. The story questions what it is that makes us who we are and concludes that one's inner essence stays the same, even in light of drastic outer changes. Mostly, the novel remains a universal narrative of a girl who's happy to grow up but hates having to leave her old self behind. Readers will love watching the narrator go from Callie to Cal, and witnessing all of the life experiences that get her there."--"School Library Journal"
About the AuthorRobert Jordan lives in Charleston, South Carolina. He is a graduate of the Citadel.
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Amazon.com's Significant SevenRobert Jordan kindly agreed to take the life quiz we like to give to all our authors: the Amazon.com Significant Seven.
Q: What book has had the most significant impact on your life?A:
Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?A: The one book would be whatever book I was currently writing. I mean, I hate falling behind in the work. The one CD would contain the best
Q: What is the worst lie you've ever told?A: It's hard to think of one since I am genetically incapable of lying to women and that takes out 52% of the population right there.
Q: Describe the perfect writing environment.A: Any place that has my computer, a CD player for music, a comfortable chair that won't leave me with a backache at the end of a long day, and very little interruption.
Q: If you could write your own epitaph, what would it say?A: He kept trying to get better at it.
Q: Who is the one person living or dead that you would like to have dinner with?A: My wife before anybody else on earth living or dead. That's a no-brainer.
Q: If you could have one superpower what would it be?A: That depends. If I'm feeling altruistic, it would be the ability to heal anything with a touch, if that can be called a superpower. If I'm not feeling very altruistic, it would be the ability to read other people's minds, to finally be able to get to the bottom of what they really mean and what their motivations are.
See all books in the
Starred Review. The previous book in Jordan's massive Wheel of Time, Crossroads of Twilight, may have come out in 2003, but don't let that fool you; the 11th tome in this epic fantasy is the one Jordan fans have been eagerly waiting for the better part of a decade. The breakneck pace, lyrical beauty and astonishing scope of the early Wheel of Time volumes established Jordan as one of the top writers in the Tolkien tradition. While more recent entries have maintained that beauty and scope, the pace has slowed to a crawl as the central characters dispersed in six directions. In contrast, the latest explodes with motion, as multiple plot lines either conclude or advance, and the march to Tarmon Gai'don—the climactic last battle between the Dragon Reborn and the Dark One—begins in earnest. Faile's captivity with the Shaido, Mat's pursuit of Tuon and Elayne's war for Caemlyn come to a close, while Egwene's capture brings the Aes Sedai war to the heart of the Tower. Jordan has said that readers will be sweating by the end of the book, and he's probably right. Sweating or not, they'll also be dreading the long year or two before the 12th installment. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
EDITORIAL REVIEW: Tarmon Gai’don, the Last Battle, looms. And mankind is not ready. The final volume of the Wheel of Time, *A Memory of Light,* was partially written by Robert Jordan before his untimely passing in 2007. Brandon Sanderson, *New York Times* bestselling author of the Mistborn books, was chosen by Jordan’s editor---his wife, Harriet McDougal---to complete the final book. The scope and size of the volume was such that it could not be contained in a single book, and so Tor proudly presents *The Gathering Storm* as the first of three novels that will make up *A Memory of Light.* This short sequence will complete the struggle against the Shadow, bringing to a close a journey begun almost twenty years ago and marking the conclusion of the Wheel of Time, the preeminent fantasy epic of our era. In this epic novel, Robert Jordan’s international bestselling series begins its dramatic conclusion. Rand al’Thor, the Dragon Reborn, struggles to unite a fractured network of kingdoms and alliances in preparation for the Last Battle. As he attempts to halt the Seanchan encroachment northward---wishing he could form at least a temporary truce with the invaders---his allies watch in terror the shadow that seems to be growing within the heart of the Dragon Reborn himself. Egwene al’Vere, the Amyrlin Seat of the rebel Aes Sedai, is a captive of the White Tower and subject to the whims of their tyrannical leader. As days tick toward the Seanchan attack she knows is imminent, Egwene works to hold together the disparate factions of Aes Sedai while providing leadership in the face of increasing uncertainty and despair. Her fight will prove the mettle of the Aes Sedai, and her conflict will decide the future of the White Tower---and possibly the world itself. The Wheel of Time turns, and Ages come and pass. What was, what will be, and what is, may yet fall under the Shadow.
SUMMARY: "Robert Jordan has come to dominate the world Tolkien began to reveal."--The New York Times The Wheel of Time turns, and Ages come and pass. What was, what will be, and what is, may yet fall under the Shadow. Let the Dragon ride again on the winds of time. THE WHEEL OF TIME Book One: The Eye of the World Book Two: The Great Hunt Book Three: The Dragon Reborn Book Four: The Shadow Rising Book Five: The Fires of Heaven Book Six: Lord of Chaos Book Seven: A Crown of Swords Book Eight: The Path of Daggers Book Nine: Winter's Heart Book Ten: Crossroads of Twilight
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SUMMARY: ""I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of l974. . . My birth certificate lists my name as Calliope Helen Stephanides. My most recent driver's license...records my first name simply as Cal."" So begins the breathtaking story of Calliope Stephanides and three generations of the Greek-American Stephanides family who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City, and the race riots of l967, before they move out to the tree-lined streets of suburban Grosse Pointe, Michigan. To understand why Calliope is not like other girls, she has to uncover a guilty family secret and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, "Middlesex "is an exhilarating reinvention of the American epic. Jeffrey Eugenides was born in Detroit, Michigan, in 1960, graduated from Brown University, and received an M.A. in English and Creative Writing from Stanford University in 1986. His first novel, "The Virgin Suicides," was published in 1993. Winner of the Pulitzer PrizeA "New York Times" Editors' ChoiceA "Los Angeles Times" Best BookNational Book Critics Circle Award NomineeLambda Literary Award Nominee In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry blond classmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop physically--leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all. The explanation for this shocking state of affairs is a rare genetic mutation--and a guilty secret--that have followed Callie's grandparents from the crumbling Ottoman Empire to Prohibition-era Detroit and beyond, outlasting the glory days of the Motor City, the race riots of 1967, and the family's second migration, into the foreign country known as suburbia. Thanks to the gene, Callie is part girl, part boy. And even though the gene's epic travels have ended, her own odyssey has only begun. Spanning eight decades--and one unusually awkward adolescence--Jeffrey Eugenides' long-awaited second novel is a grand, original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. Winner of the Pulitzer Prize "A towering achievement . . . A story that manages to be both illuminating and transcendent . . . [Eugenides] has emerged as the great American writer many of us suspected him of being."--Jeff Turrentine, "Los Angeles Times Book Review" "Jeffrey Eugenides is a big and big-hearted talent, and "Middlesex" is a weird, wonderful novel that will sweep you off your feet."--Jonathan Franzen "Impressive [and] wonderfully engaging . . . A Buddenbrooks-like saga that traces three generations' efforts to grapple with America and with their own versions of the American Dream . . . [Eugenides] has not only followed up on a precocious debut with a broader and more ambitious book, but in doing so, he has also delivered a deeply affecting portrait of one family's tumultuous engagement with the American 20th century . . . It is a novel that employs all its author's rich storytelling talents to give us one Greek-American family's idiosyncratic journey from the not-so-pearly gates of Ellis Island to the suburban vistas of Grosse Pointe, Michigan, while at the same time tracing the rise and fall in fortunes of Detroit, from its apotheosis as the Motor City in the 40's and 50's through the race riots of 1967 and its subsequent decline. It is also a novel that invokes ancient myths and contemporary pop songs to show how family traits and inclinations are passed down generation to generation, a novel that uses musical leitmotifs to show the unexpected ways in which chance and fate weave their improvisations into the loom of family life."--Michiko Kakutani, "The New York Times" "One of the delights of "Middlesex" is how soundly it's constructed, with motifs and characters weaving through the novel's episodes, pulling it tight . . . His narrator is a soul who inhabits a liminal realm, a creature able to bridge the divisions that plague humanity, endowed with 'the ability to communicate between the genders, to see not with the monovision of one sex but in the stereoscope of both. That utopian reach makes "Middlesex" deliriously American; the novel's patron saint is Walt Whitman, and it has some of the shagginess of that poet's verse to go along with the exuberance. But mostly it is a colossal act of curiosity, of imagination and of love."--Laura Miller, "The New York Times Book Review" "At last Detroit has its great novel. What Dublin got from James Joyce--a sprawling, ambitious, loving exasperated, and playful chronicle of all its good and bad parts--Detroit has from native son Eugenides."--"Detroit Free Press" "A towering achievement . . . A story that manages to be both illuminating and transcendent . . . [Eugenides] has emerged as the great American writer many of us suspected him of being."--Jeff Turrentine, "Los Angeles Times Book Review" "Whatever you might be expecting, "Middlesex" will surprise you . . . a rolling epic . . . the kind of book that urges you to be read in one day, then reread."--Jonathan Safran Foer, "Bomb" "Rollicking, gleefully inventive . . . "Middlesex" serves as a tribute to Nabokovian themes . . . Eugenides recounts the revelation of Callie's genetic abnormality through a series of near-discoveries that are amazingly, comically missed."--"The Washington Post" "A big, cheeky, splendid novel, and its confidence is part of its success, because it goes places few narrators would dare to tread . . . Because Eugenides has imbued his second novel with transcontinental range and historical depth, he has thrown open the gates of Ithaca and sent his narrator on the road. And because he has remembered that the human experience of it is the sine qua non of any adventure, he has given us something lyrical and fine."--Gail Caldwell, "The Boston Globe" ""Middlesex" is a novel about discovery, one man's discovery of his place in the world and acceptance of his singularity, his uniqueness. In the process, it is a novel that challenges our preconceptions about gender and our understanding of the universal truths of growing up and growing old."--Michael Pearson, "The Atlanta Journal-Constitution" ""Middlesex" sweeps the reader along with easy grace and charm, tactfully concealing intelligence, sophistication, and the ache of earned wisdom beneath bushels of inventive storytelling . . . the novel's carefully studied casual look . . . [is] a little like Callie's mismatched features-'taken all together, something captivating emerged. An inadvertent harmony.'"--"The New York Observer" "An Epic . . . This feast of a novel is thrilling in the scope of its imagination and surprising in its tenderness."--"People " "["Middlesex" is] one of the most impressive American novels . . . Eugenides has created a spirited, high-energy comic epic. At once remarkably readable, intelligent, and moving, Middlesex becomes that rare cultural hybrid, a page-turner that wows the critics."--"Newsday" "A big book so wildly imagined . . . and yet so warm-hearted that it's hard to resist . . . it is frequently hilarious and touching."--"USA Today " "An often affecting, funny, and deeply human book . . . a charming writer . . . "Middlesex" is enormously ambitious book, whose many stories do indeed gather to present a broad swath of Greek-American life."--"The New Republic " "The verbal energy and narrative range of Saul Bellow's early fiction (say, " The Adventures of Augie March") are born again in this dazzling novel . . . A virtuosic combination of elegy, sociohistorical study, and picaresque adventure: altogether irresistible."--"Kirkus Reviews" "In his second novel, the author once again proves himself to be a wildly imaginative writer . . . Likely to hold readers in thrall with its affecting characterizations of a brave and lonely soul and its vivid depiction of exactly what it means to be both male and female."--Joanne Wilkinson, "Booklist" "Eugenides proves that he is not only a unique voice in modern literature but also well versed in the nature of the human heart. Highly recommended."--"Library Journal" "From the opening paragraph, in which the narrator explains that he was 'born twice, ' first as a baby girl in 1960, then as a teenage boy in 1974, readers are aware that Calliope Stephanides is a hermaphrodite. To explain his situation, Cal starts in 1922, when his grandparents came to America. In his role as the 'prenatal narrator, ' he tells the love story of this couple, who are brother and sister; his parents are blood relatives as well. Then he tells his own story, which is that of a female child growing up in suburban Detroit with typical adolescent concerns. Callie, as he is know then, worries because she hasn't developed breasts or started menstruating; her facial hair is blamed on her ethnicity, and she and her mother go to get waxed together. She develops a passionate crush on her best girlfriend, 'the Object, ' and consummates it in a manner both detached and steamy. Then an accident causes Callie to find out what she's been suspecting--she's not actually a girl. The story questions what it is that makes us who we are and concludes that one's inner essence stays the same, even in light of drastic outer changes. Mostly, the novel remains a universal narrative of a girl who's happy to grow up but hates having to leave her old self behind. Readers will love watching the narrator go from Callie to Cal, and witnessing all of the life experiences that get her there."--"School Library Journal"