One of the most influential vampire novels of the 20th century, I Am Legend regularly appears on the "10 Best" lists of numerous critical studies of the horror genre. As Richard Matheson's third novel, it was first marketed as science fiction (for although written in 1954, the story takes place in a future 1976). A terrible plague has decimated the world, and those who were unfortunate enough to survive have been transformed into blood-thirsty creatures of the night. Except, that is, for Robert Neville. He alone appears to be immune to this disease, but the grim irony is that now he is the outsider. He is the legendary monster who must be destroyed because he is different from everyone else. Employing a stark, almost documentary style, Richard Matheson was one of the first writers to convince us that the undead can lurk in a local supermarket freezer as well as a remote Gothic castle. His influence on a generation of bestselling authors--including Stephen King and Dean Koontz--who first read him in their youth is, well, legendary. --Stanley Wiater
Starred Review. Robert Neville has witnessed the end of the world. The world's population has been obliterated by a vampire virus, though Neville has somehow survived. As he toils to make sense of it all and protect himself against the hounding vampires who seek out his life force, Neville embarks on a series of projects to discover the source of the plague and hopefully put an end to the vampires. In a tale that plays with the slippery slope of sanity, Dean makes the perfect choice for a narrator. His powerful performance proves chilling and haunting. As Neville teeters on the edge of sanity, Dean manipulates his tone, speed, emphasis and projection accordingly, making listeners tremble with his narration. While some might rebuke his narration for being too dramatic or providing too much interpretation, Dean's intensity adds to the book in a way that benefits listeners over readers. The visceral nature of his performance evokes the image of a foamy-mouthed Dean growling at a microphone with spittle flying. A Tor paperback. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Some people will remember The Incredible Shrinking Man as a movie with great special effects and a surprisingly good script, given the ridiculous title. Matheson's classic novella is the reason for that. As Scott Carey -- husband, father, and all-around decent guy -- mysteriously shrinks, he faces unimagined horrors at every step, up to the story's surprising resolution. It's packaged here with a number of Matheson's other classic stories, including "Nightmare at 20,000 Feet," which became a popular Twilight Zone episode, and "Duel," which was turned into a movie by a very young Steven Spielberg.
Starred Review. Matheson's legendary 1956 sci-fi tale of Scott Carey, a family man who is slowly shrinking into obscurity and a terrifying new world inside his own house, is beautifully realized by Yuri Rasovsky's memorable reading. Enthusiastic and compelling, Rasovsky seems predisposed to the suspense master's style of writing. Capturing the brilliant mix of everyday life and extraordinary horrors that Matheson is so revered for creating, Rasovsky reads with a dry, cool wit that breathes new life into this classic tale. He knows exactly how to relay the tension and anxiety to his audience, and never ceases to raise the stakes and bring the audience to their knees in sheer terror. This is a thrilling and unforgettable experience. A Tor paperback. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Amazon.com Review
One of the most influential vampire novels of the 20th century, I Am Legend regularly appears on the "10 Best" lists of numerous critical studies of the horror genre. As Richard Matheson's third novel, it was first marketed as science fiction (for although written in 1954, the story takes place in a future 1976). A terrible plague has decimated the world, and those who were unfortunate enough to survive have been transformed into blood-thirsty creatures of the night. Except, that is, for Robert Neville. He alone appears to be immune to this disease, but the grim irony is that now he is the outsider. He is the legendary monster who must be destroyed because he is different from everyone else. Employing a stark, almost documentary style, Richard Matheson was one of the first writers to convince us that the undead can lurk in a local supermarket freezer as well as a remote Gothic castle. His influence on a generation of bestselling authors--including Stephen King and Dean Koontz--who first read him in their youth is, well, legendary. --Stanley Wiater
From Publishers Weekly
Starred Review. Robert Neville has witnessed the end of the world. The world's population has been obliterated by a vampire virus, though Neville has somehow survived. As he toils to make sense of it all and protect himself against the hounding vampires who seek out his life force, Neville embarks on a series of projects to discover the source of the plague and hopefully put an end to the vampires. In a tale that plays with the slippery slope of sanity, Dean makes the perfect choice for a narrator. His powerful performance proves chilling and haunting. As Neville teeters on the edge of sanity, Dean manipulates his tone, speed, emphasis and projection accordingly, making listeners tremble with his narration. While some might rebuke his narration for being too dramatic or providing too much interpretation, Dean's intensity adds to the book in a way that benefits listeners over readers. The visceral nature of his performance evokes the image of a foamy-mouthed Dean growling at a microphone with spittle flying. A Tor paperback. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.