Diana Gabaldon’s brilliant storytelling has captivated millions of readers in her bestselling and award-winning Outlander saga. Now, in An Echo in the Bone, the enormously anticipated seventh volume, Gabaldon continues the extraordinary story of the eighteenth-century Scotsman Jamie Fraser and his twentieth-century time-traveling wife, Claire Randall.

Jamie Fraser, former Jacobite and reluctant rebel, is already certain of three things about the American rebellion: The Americans will win, fighting on the side of victory is no guarantee of survival, and he’d rather die than have to face his illegitimate son–a young lieutenant in the British army–across the barrel of a gun.

Claire Randall knows that the Americans will win, too, but not what the ultimate price may be. That price won’t include Jamie’s life or his happiness, though–not if she has anything to say about it.

Meanwhile, in the relative safety of the twentieth century, Jamie and Claire’s daughter, Brianna, and her husband, Roger MacKenzie, have resettled in a historic Scottish home where, across a chasm of two centuries, the unfolding drama of Brianna’s parents’ story comes to life through Claire’s letters. The fragile pages reveal Claire’s love for battle-scarred Jamie Fraser and their flight from North Carolina to the high seas, where they encounter privateers and ocean battles–as Brianna and Roger search for clues not only to Claire’s fate but to their own. Because the future of the MacKenzie family in the Highlands is mysteriously, irrevocably, and intimately entwined with life and death in war-torn colonial America.

With stunning cameos of historical characters from Benedict Arnold to Benjamin Franklin, An Echo in the Bone is a soaring masterpiece of imagination, insight, character, and adventure–a novel that echoes in the mind long after the last page is turned.

Review

“All you’ve come to expect from Gabaldon . . . adventure, history, romance, fantasy.”
—The Arizona Republic

From the Trade Paperback edition.

About the Author

Diana Gabaldon is the New York Times bestselling author of the wildly popular Outlander novels–Outlander, Dragonfly in Amber, Voyager, Drums of Autumn, The Fiery Cross, and A Breath of Snow and Ashes (for which she won a Quill Award and the Corine International Book Prize)–and one work of nonfiction, The Outlandish Companion, as well as the bestselling series featuring Lord John Grey, a character she introduced in Voyager. She lives in Scottsdale, Arizona.

Brilliant and engagingly written, Why Nations Fail *answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine?

*Is it culture, the weather, geography? Perhaps ignorance of what the right policies are?

Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence?

Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South Korea are among the richest. The south forged a society that created incentives, rewarded innovation, and allowed everyone to participate in economic opportunities. The economic success thus spurred was sustained because the government became accountable and responsive to citizens and the great mass of people. Sadly, the people of the north have endured decades of famine, political repression, and very different economic institutions—with no end in sight. The differences between the Koreas is due to the politics that created these completely different institutional trajectories.

Based on fifteen years of original research Acemoglu and Robinson marshall extraordinary historical evidence from the Roman Empire, the Mayan city-states, medieval Venice, the Soviet Union, Latin America, England, Europe, the United States, and Africa to build a new theory of political economy with great relevance for the big questions of today, including:

- China has built an authoritarian growth machine. Will it continue to grow at such high speed and overwhelm the West?
   - Are America’s best days behind it? Are we moving from a virtuous circle in which efforts by elites to aggrandize power are resisted to a vicious one that enriches and empowers a small minority?
   - What is the most effective way to help move billions of people from the rut of poverty to prosperity? More
philanthropy from the wealthy nations of the West? Or learning the hard-won lessons of Acemoglu and Robinson’s breakthrough ideas on the interplay between inclusive political and economic institutions?

Why Nations Fail will change the way you look at—and understand—the world.

Amazon.com Review

Guest Reviewer: Charles C. Mann on *Why Nations Fail
Charles C. Mann, a correspondent for The Atlantic, Science, and Wired, has written for Fortune, The New York Times, Smithsonian, Technology Review, Vanity Fair, and The Washington Post, as well as for the TV network HBO and the series Law & Order. A three-time National Magazine Award finalist, he is the recipient of writing awards from the American Bar Association, the American Institute of Physics, the Alfred P. Sloan Foundation, and the Lannan Foundation. His 1491 won the National Academies Communication Award for the best book of the year. He lives in Amherst, Massachusetts.*

A few years ago, while I was researching a book on the history of globalization, I suddenly realized that I was seeing the same two names on a lot of the smartest stuff I was reading. The names belonged to two economists, Daron Acemoglu and James Robinson. Much of their work focused on a single question: Why are poor places poor, and is there something we can do about it?

This is one of the most important questions imaginable in economics—indeed, in the world today. It is also one of the most politically fraught. In working on my book, I read numerous attempts by economists, historians and other researchers to explain why most of North America and Europe is wealthy and why most of Asia, Africa and Latin America is not. But these usually boiled down to claims that rich nations had won the game by cheating poor places or that poor places had inherently inferior cultures (or locations) which prevented them from rising. Conservative economists used the discussion as a chance to extol the wide-open markets they already believed in; liberal economists used it to make the attacks on unrestrained capitalism they were already making. And all too often both seemed wildly ignorant of history. I can’t recall encountering another subject on which so many people expended so much energy to generate so little light.

Acemoglu and Robinson were in another category entirely. They assembled what is, in effect, a gigantic, super-complete database of every country’s history, and used it to ask questions—wicked smart questions. They found unexpected answers—ones that may not satisfy partisans of either side, but have the ring of truth.

Why Nations Fail is full of astounding stories. I ended up carrying the book around, asking friends, “Did you know this?” The stories make it a pleasure to read. More important, though, Acemoglu and Robinson changed my perspective on how the world works. My suspicion is that I won’t be the only person to say this after reading Why Nations Fail.

Review

“For economics and political-science students, surely, but also for the general reader who will appreciate how gracefully the authors wear their erudition.”—Kirkus Reviews

“Provocative stuff; backed by lots of brain power.”—Library Journal

“This is an intellectually rich book that develops an important thesis with verve. It should be widely read.” —Financial Times

“A probing . . . look at the roots of political and economic success . . . large and ambitious new book.” —*The Daily

“Why Nations Fail is a splendid piece of scholarship and a showcase of economic rigor.” *—The Wall Street Journal

“The main strength of this book is beyond the power of summary: it is packed, from beginning to end, with historical vignettes that are both erudite and fascinating. As Jared Diamond says on the cover: 'It will make you a spellbinder at parties.' But it will also make you think.” —The  Observer (UK)

"A brilliant book.” —Bloomberg (Jonathan Alter)

“Why Nations Fail is a wildly ambitious work that hopscotches through history and around the world to answer the very big question of why some countries get rich and others don’t.” —The New York Times (Chrystia Freeland)

"Why Nations Failis a truly awesome book. Acemoglu and Robinson tackle one of the most important problems in the social sciences—a question that has bedeviled leading thinkers for centuries—and offer an answer that is brilliant in its simplicity and power. A wonderfully readable mix of history, political science, and economics, this book will change the way we think about economic development. Why Nations Fail is a must-read book." —Steven Levitt, coauthor of *Freakonomics

"You will have three reasons to love this book. It’s about national income differences within the modern world, perhaps the biggest problem facing the world today. It’s peppered with fascinating stories that will make you a spellbinder at cocktail parties—such as why Botswana is prospering and Sierra Leone isn’t. And it’s a great read. Like me, you may succumb to reading it in one go, and then you may come back to it again and again." —Jared Diamond, Pulitzer Prize–winning author of the bestsellers Guns, Germs, and Steel and Collapse

"A compelling and highly readable book. And [the] conclusion is a cheering one: the authoritarian ‘extractive’ institutions like the ones that drive growth in China today are bound to run out of steam. Without the inclusive institutions that first evolved in the West, sustainable growth is impossible, because only a truly free society can foster genuine innovation and the creative destruction that is its corollary." —Niall Ferguson, author of *The Ascent of Money*

"Some time ago a little-known Scottish philosopher wrote a book on what makes nations succeed and what makes them fail. The Wealth of Nations is still being read today. With the same perspicacity and with the same broad historical perspective, Daron Acemoglu and James Robinson have retackled this same question for our own times. Two centuries from now our great-great- . . . -great grandchildren will be, similarly, reading Why Nations Fail." —George Akerlof, Nobel laureate in economics, 2001

"Why Nations Fail is so good in so many ways that I despair of listing them all. It explains huge swathes of human history. It is equally at home in Asia, Africa and the Americas. It is fair to left and right and every flavor in between. It doesn’t pull punches but doesn’t insult just to gain attention. It illuminates the past as it gives us a new way to think about the present. It is that rare book in economics that convinces the reader that the authors want the best for ordinary people. It will provide scholars with years of argument and ordinary readers with years of did-you-know-that dinner conversation. It has some jokes, which are always welcome. It is an excellent book and should be purchased forthwith, so to encourage the authors to keep working." —Charles C. Mann, author of 1491 and 1493*

*“Imagine sitting around a table listening to Jared Diamond, Joseph Schumpeter, and James Madison reflect on over two thousand years of political and economic history.  Imagine that they weave their ideas into a coherent theoretical framework based on limiting extraction, promoting creative destruction, and creating strong political institutions that share power and you begin to see the contribution of this brilliant and engagingly written book.” —Scott E. Page, University of Michigan and Santa Fre Institute

“This fascinating and readable book centers on the complex joint evolution of political and economic institutions, in good directions and bad. It strikes a delicate balance between the logic of political and economic behavior and the shifts in direction created by contingent historical events, large and small at ‘critical junctures.' Acemoglu and Robinson provide an enormous range of historical examples to show how such shifts can tilt toward favorable institutions, progressive innovation and economic success or toward repressive institutions and eventual decay or stagnation. Somehow they can generate both excitement and reflection.” —Robert Solow, Nobel Laureate in Economics, 1987

“It’s the politics, stupid! That is Acemoglu and Robinson’s simple yet compelling explanation for why so many countries fail to develop. From the absolutism of the Stuarts to the antebellum South, from Sierra Leone to Colombia, this magisterial work shows how powerful elites rig the rules to benefit themselves at the expense of the many.  Charting a careful course between the pessimists and optimists, the authors demonstrate history and geography need not be destiny. But they also document how sensible economic ideas and policies often achieve little in the absence of fundamental political change.”—Dani Rodrik, Kennedy School of Government, Harvard University

“Two of the world’s best and most erudite economists turn to the hardest  issue of all: why are some nations poor and others rich? Written with a deep knowledge of economics and political history, this is perhaps the most powerful statement made to date that ‘institutions matter.’  A provocative, instructive, yet thoroughly enthralling book.” —Joel Mokyr, Robert H. Strotz Professor of Arts and Sciences and Professor of Economics and History, Northwestern University

“A brilliant and uplifting book—yet also a deeply disturbing wake-up call. Acemoglu and Robinson lay out a convincing theory of almost everything to do with economic development. Countries rise when they put in place the right pro-growth political institutions and they fail—often spectacularly—when those institutions ossify or fail to adapt.  Powerful people always and everywhere seek to grab complete control over government, undermining broader social progress for their own greed. Keep those people in check with effective democracy or watch your nation fail.” —Simon Johnson, co-author of 13 Bankers and professor at MIT Sloan

“This important and insightful book, packed with historical examples, makes the case that inclusive political institutions in support of inclusive economic institutions is key to sustained prosperity. The book reviews how some good regimes got launched and then had a virtuous spiral, while bad regimes remain in a vicious spiral.  This is important analysis not to be missed.” —Peter Diamond, Nobel Laureate in Economics

“Acemoglu and Robinson have made an important contribution to the debate as to why similar-looking nations differ so greatly in their economic and political development. Through a broad multiplicity of historical examples, they show how institutional developments, sometimes based on very accidental circumstances, have had enormous consequences. The openness of a society, its willingness to permit creative destruction, and the rule of  appear to be decisive for economic development.” —Kenneth Arrow, Professor Emeritus, Stanford University, Nobel Laureate in Economics, 1972

“Acemoglu and Robinson—two of the world's leading experts on development—reveal why it is not geography, disease, or culture which explains why some nations are rich and some poor, but rather a matter of institutions and politics. This highly accessible book provides welcome insight to specialists and general readers alike.” —Francis Fukuyama, author of The End of History and the Last Man and *The Origins of Political Order

“Some time ago a little known Scottish philosopher wrote a book on what makes nations succeed and what makes them fail.  The Wealth of Nations is still being read today.  With the same perspicacity and with the same broad historical perspective, Daron Acemoglu and James Robinson have re-tackled this same question for our own times.  Two centuries from now our great-great-…-great grandchildren will be, similarly, reading Why Nations Fail.”* —George Akerlof, Nobel Laureate in Economics, 2001

*“In this stunningly wide ranging book Acemoglu and Robinson ask a simple but vital question, why do some nations become rich and others remain poor?  Their answer is also simple—*because some polities develop more inclusive political institutions.  What is remarkable a...

From Publishers Weekly

Trouble befalls Lord John Grey (fresh from minor roles in Gabaldon's bestselling Outlander novels) when he accidentally discovers that the Hon. Joseph Trevelyan, his cousin's betrothed, may have what those in 1757 termed "the pox" or "the French disease" syphilis. Before he can figure out an appropriate way to handle this delicate matter, he becomes involved in the investigation of the mysterious and grisly murder of a military colleague suspected of being a spy. Gabaldon (The Fiery Cross; Drums of Autumn; etc.) stitches these two plots together into a compelling narrative that also offers a wealth of juicy details about 18th-century London, especially its homosexual underbelly. Lord John, who reminisces about his dead lover, Hector, and the "lean, hard body" of an old flame, learns that Trevelyan may be traveling from one house of ill repute to another of a different sort: at the Lavender House, both buyers and sellers are men. Among his various trials and tribulations, Lord John must discern the identity of a mysterious figure in a green velvet dress spotted in both of these establishments and investigate the mysterious death of a similarly attired man, found with his face bashed in. Grey is a competent and likable sleuth, and Gabaldon's prose is crisply elegant. Her many fans will be happy to learn that this is the first in a series about the travails of Lord John Grey.
Copyright 2003 Reed Business Information, Inc.

From Booklist

After accidentally observing a spot on Joseph Trevelyan's "privy member," Major Lord John Grey finds himself in a devilishly difficult position because Trevelyan is about to marry Grey's cousin, who has no idea her fiance is infected with the pox. As he searches for a discreet way to confirm his suspicions, Grey is dragged into a different kind of investigation. British Army requisition papers have vanished in Calais, and Grey must find out if there is some connection between their disappearance and the recent murder of a possible spy Sergeant Timothy O'Connell. Grey, who has a secret of his own to protect, begins an investigation into O'Connell's death, which, interestingly enough, leads to Trevelyan and a mysterious woman in green velvet whose identity may provide answers to all of Grey's questions. New York Times best-seller Gabaldon promotes Grey, a popular secondary character in her Outlander series, to a starring role in this thoroughly entertaining and wonderfully witty historical mystery set in the richly detailed, occasionally bawdy world of Georgian England. John Charles
Copyright © American Library Association. All rights reserved

EDITORIAL REVIEW:

*The Call of the Wild and White Fang*, by **Jack London**, is part of the *Barnes & Noble Classics** *series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of *Barnes & Noble Classics*: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. *Barnes & Noble Classics *pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.**** **Jack London**’s two greatest novels, *The Call of the Wild* and *White Fang*—originally intended as companions—are here compiled in one volume. *The Call of the Wild* centers on a domesticated dog, Buck, who is kidnapped and sold to Klondike gold hunters. To survive Buck must listen to the Call and learn the ways of his wolf-ancestors, who guide him from within.

*White Fang* tells the story of a half-wolf, half-dog nearly destroyed by the vicious cruelty of men. Brought to the very brink of his existence, White Fang is lucky enough to experience the one thing that can save him—human love.

Adventurer and activist, philosopher and alcoholic, Jack London was a man of great contradictions and greater talent. Both of these novels are written in a simple, direct, and powerful style that decades of readers have admired and that writers have imitated.

**** **Tina Gianquitto**** holds a Ph.D. in American Literature from Columbia University and currently teaches at The College of the Mines in Colorado.

EDITORIAL REVIEW:

*Age of Innocence*, by **Edith Wharton**, is part of the *Barnes & Noble Classics** *series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of *Barnes & Noble Classics*: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. *Barnes & Noble Classics *pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Winner of the 1921 Pulitzer Prize, *The Age of Innocence* is **Edith Wharton**’s masterful portrait of desire and betrayal during the sumptuous Golden Age of Old New York, a time when society people “dreaded scandal more than disease.”This is Newland Archer’s world as he prepares to marry the beautiful but conventional May Welland. But when the mysterious Countess Ellen Olenska returns to New York after a disastrous marriage, Archer falls deeply in love with her. Torn between duty and passion, Archer struggles to make a decision that will either courageously define his life—or mercilessly destroy it.**Maureen Howard**** is a critic, teacher, and writer of fiction. Her seven novels include *Bridgeport Bus*, *Natural History*, and *A Lover’s Almanac*. Her memoir, *Facts of Life*, won the National Book Critics’ Circle Award. She has taught at Yale and Columbia University.

Amazon.com Review

No punches are pulled in Henry Miller's most famous work. Still pretty rough going for even our jaded sensibilities, but Tropic of Cancer is an unforgettable novel of self-confession. Maybe the most honest book ever written, this autobiographical fiction about Miller's life as an expatriate American in Paris was deemed obscene and banned from publication in this country for years. When you read this, you see immediately how much modern writers owe Miller.

From Publishers Weekly

Starred Review. Millers once controversial story that ended up altering United States censorship laws tells of a young writer and his pals in Paris during the Great Depression. Part memoir, part fictional tale, Millers prose is a complex mix that demands the readers utmost attention. Campbell Scott reads with a gentle, steady voice that captures the more personal side of Millers writing. Scott is in conversation with himself, posing questions and offering up answers apparently on a whim. His reading is incredibly rich and layered, filled with emotions and ideologies. The result is a stunning, intimate listen that will lure listeners in with its straightforward approach and keep them rapt with its raw honesty. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

SUMMARY:
Set in Manchester County, Virginia, 20 years before the Civil War began, Edward P. Jones's debut novel, The Known World, is a masterpiece of overlapping plot lines, time shifts, and heartbreaking details of life under slavery. Caldonia Townsend is an educated black slaveowner, the widow of a well-loved young farmer named Henry, whose parents had bought their own freedom, and then freed their son, only to watch him buy himself a slave as soon as he had saved enough money. Although a fair and gentle master by the standards of the day, Henry Townsend had learned from former master about the proper distance to keep from one's property. After his death, his slaves wonder if Caldonia will free them. When she fails to do so, but instead breaches the code that keeps them separate from her, a little piece of Manchester County begins to unravel. Impossible to rush through, The Known World is a complex, beautifully written novel with a large cast of characters, rewarding the patient reader with unexpected connections, some reaching into the present day. --Regina Marler

BONUS: This edition includes an excerpt from Diana Gabaldon's An Echo in the Bone.

Eagerly anticipated by her legions of fans, this sixth novel in Diana Gabaldon’s bestselling Outlander saga is a masterpiece of historical fiction from one of the most popular authors of our time.

Since the initial publication of Outlander fifteen years ago, Diana Gabaldon’s New York Times bestselling saga has won the hearts of readers the world over — and sold more than twelve million books. Now, A Breath of Snow and Ashes continues the extraordinary story of 18th-century Scotsman Jamie Fraser and his 20th-century wife, Claire.

The year is 1772, and on the eve of the American Revolution, the long fuse of rebellion has already been lit. Men lie dead in the streets of Boston, and in the backwoods of North Carolina, isolated cabins burn in the forest.

With chaos brewing, the governor calls upon Jamie Fraser to unite the backcountry and safeguard the colony for King and Crown. But from his wife Jamie knows that three years hence the shot heard round the world will be fired, and the result will be independence — with those loyal to the King either dead or in exile. And there is also the matter of a tiny clipping from The Wilmington Gazette, dated 1776, which reports Jamie’s death, along with his kin. For once, he hopes, his time-traveling family may be wrong about the future.

From Booklist

After waiting nearly four years since The Fiery Cross (2001), readers will find every expectation fulfilled in the sixth book of the popular Outlander series. Gabaldon shines as she unfolds the continuing story of the Frasers, heartbreakingly heroic highlander Jamie and his time-traveling wife Clare. Set during the three years leading up to the American Revolution, this compulsively readable mix of authentically set historical fiction and completely satisfying romance maps both violent loss and strong family ties. On the eve of war much is changing on Fraser's Ridge and Jamie and Claire encounter much harm. This vivid and haunting novel, therefore, brings an aching sadness, but it is balanced with sheer joy, revelation, and solace. The large scope of the novel allows Gabaldon to do what she does best, paint in exquisite detail the lives of her characters. Gabaldon's ability to invoke the heroic and the harrowing writ large, while also creating moments where you dare not take a breath for fear of missing something tiny and fine, is her hallmark. For it is in describing the sound of rain on the roof, Jamie's injured hand, or the understanding between father and daughter that the world of the novel comes alive and offers readers an enthralling experience. Neal Wyatt
Copyright © American Library Association. All rights reserved

Review

“The sixth instalment of the adventures of Claire and Jamie Fraser, already number one on the bestseller list, is a whopping 980 pages of action-packed escapism. It also has surprisingly melancholy and insightful views on the experience of growing old and dealing with the losses that entails…. One of the things that sets Gabaldon apart from other romance writers is exhaustive research of the times in which her characters live, so evident in her attention to period detail…. plot lines and stand-alone yarns are expertly woven together with the overall theme of impending doom and the question of predetermination.” — The Toronto Star

“Fans of Diana Gabaldon’s popular Outlander series have another rousing historical-science-fiction-romance novel to savour in A Breath of Snow and Ashes…. For fans, this book is another slam-dunk hit. It’s a massive, long-lasting source of entertainment.” — The Gazette (Montreal)

Praise for Diana Gabaldon:
“Riveting. Gabaldon has a true storyteller’s voice.”—The Globe and Mail

“Triumphant. . . . Her use of historical detail and truly adult love story confirm Gabaldon as a superior writer.”—Publishers Weekly

“Diana Gabaldon is a born storyteller. . . . The pages practically turn themselves.”—*Arizona Republic

"Readers will find every expectation fulfilled.... The large scope of the novel allows Gabaldon to do what she does best, paint in exquisite detail the lives of her characters."—Booklist *

From the Hardcover edition.

New York Times bestselling author Diana Gabaldon has captured the hearts of millions with her critically acclaimed novels, Outlander. Dragonfly In Amber, Voyager, and Drums Of Autumn. From the moment Claire Randall accidentally steps through a magical stone that transports her back in time more than 200 years to 1743, and into the arms of Scottish soldier Jamie Fraser, readers have been enthralled with this epic saga of time travel, adventure, and love everlasting.

Now Diana Gabaldon has written the ultimate companion guide to her bestselling series, the book only she could write - a beautifully illustrated compendium of all things Outlandish. As a special bonus for those who are eagerly awaiting the next appearance of Jamie and Claire, she includes never - before - published excerpts from upcoming works in the series. And there's lots more in this lavish keepsake volume for the many devoted fans who yearn to learn the stories behind the stories:

• Full synopses of Outlander, Dragonfly in Amber, Voyager, and Drums of Autumn
• A complete listing of the characters in all four novels, including extensively researched family trees and genealogical notes
• Professionally cast horoscopes for Jamie and Claire
• A comprehensive glossary and pronunciation guide to Gaelic terms and usage
• The fully explicated Gabaldon Theory of Time Travel
• Frequently asked questions to the author and her (sometimes surprising) answers
• An annotated bibliography
• Tips, personal stories - even a recipe or two
• Essays about medicine and magic in the eighteenth century, researching historical fiction, and more

With the insight, humor, and eye for detail that has made her novels such an outstanding success story. Diana Gabaldon here gives her readers the best gift of all—The Outlandish Companion.

Amazon.com Review

For nine years, four books, and nearly 4,000 pages, Diana Gabaldon has entranced readers with her talent for historical authenticity, dramatic plot lines, and strong characters in the Outlander series. Her superb writing has earned a loyal audience, but after a million and a half words, even the most fervent of fans may have a difficult time trying to recall the exact details of the secondary characters, let alone the obscure ones. Thankfully, Gabaldon's The Outlandish Companion is here to help.

Part crib notes and part trivia guide, this essential handbook includes synopses of the first four novels, a character guide, notes on plot development and research, answers to frequently asked questions, and teasers for the upcoming novels--there're even horoscope charts of the central characters, a list of fan Web sites, and choice recipes for the truly devoted.

Readers looking for a fix of Gabaldon's humorous voice or insight into her writing processes and characters will certainly be more than satisfied, but those looking for the next installment of Jamie and Claire's adventures will have to wait for The Fiery Cross, the fifth book in this bestselling series, expected sometime in late 1999 to early 2000. --Nancy R.E. O'Brien

From Kirkus Reviews

As with the guides to the Hobbit tetralogy and the fiction of Stephen King, Gabaldon offers a companion volume to her Outlander Seriess four time-travel historical romances, Drums of Autumn (1997), etc., in which she tells us much is revealed regarding Claire and Jamie Fraser, their lives and times, antecedents, adventures, companions and progeny, with learned commentary (and many footnotes) by their humble creator. She also provides full synopses of the four novels and includes excerpts of forthcoming books in the Claire and Jamie Fraser series. Listed, too, are all the novels characters, their origins and family trees, horoscopes, and sketches of clan badges and shields, along with genealogical notes. For non-Gaelic readers, Gabaldon assembles a glossary and pronunciation primer. Additionally, she supplies details on her research, E-mail excerpts, notes on herbal medicine, illustrations, and recipes, plus a huge bibliography. Gabaldon fans who have followed the story of British Red Cross nurse Claire Beauchamp Randall will welcome this act of buoyant hubris by a vividly entertaining author whose later installments have turned into baggy-pants behemoths of 900 pages. (Literary Guild featured alternate selection) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Product Description

Far in the future, the craftsmen of the distant planet Halma create goods which are the wonder of the galaxy. But they know little of this. Their society is harshly regimented, its religion austere and unforgiving, and primitive -- to maintain standards, even the most basic use of automation is punishable by death. When Amiante, a wood-carver, is executed for processing old documents with a camera, his son Ghyl rebels, and decides to bring down the system. To do so, he must first interpret the story of Emphyrio, an ancient hero of Halman legend.

About the Author

SALES POINTS * #19 in the Millennium SF Masterworks series, a library of the finest science fiction ever written * 'All Vance's novels have exotic locales and cultures, resourceful heroes and vigorous action, but in Emphyrio they are raised to the pitch of perfection, making the novel a tremendous pleasure to read, and giving it also a mysterious beauty' - Kim Stanley Robinson * 'Jack Vance is our greatest living SF writer, and Emphyrio is one of his very best books, a magical tour de force of mystery, marvel, invention, incident, world-building and wordplay. But be warned: reading Vance is addictive' - George R.R. Martin

Amazon.com Review

Cities in Flight is an omnibus volume of four novels, originally published between 1955 and 1962, two of which are fix-ups of pieces that first appeared in various magazines in the early '50s. Despite having been conceived more than 50 years ago, and produced in episodic fashion, they stand head and shoulders above most SF available today.

In They Shall Have Stars, humankind's will to explore space is renewed with the advent of two discoveries: anti-gravity (the "spindizzy" machines) and the key to almost eternal life (anti-agathic drugs). By A Life for the Stars, centuries have passed and most of the major cities have built spindizzies into their bedrock and left earth, cruising the galaxy looking for work, much like the hobos of the Depression Era. Earthman, Come Home, told from the perspective of John Amalfi, the major of New York, was the first-written of the novels and--although not as tightly woven as the other segments--is still a masterly work. Blish gives the same weight and authority both to the sweeping cultural change wrought and suffered by the cities, and to the emotional growth of a man who is several hundred years old. We stay with Amalfi for the final episode, The Triumph of Time. New York is now planet-bound in the Greater Magellanic Cloud, but when Amalfi learns of the impending destruction of time itself, he is forced into space one more time, to take a last, desperate chance. The novel ends, literally, with a bang.

Despite the occasional, inevitable anachronism, such as vacuum tubes, Cities in Flight stands up remarkably well to modern reading. The novel's political and literary sophistication was unmatched in its time; there is very little to rival it even today. For most readers of a certain age, this was probably the first SF they encountered that was written from a mature standpoint and adult sensibility. The fact that Blish also manages to tell a fabulous, galaxy-spanning adventure tale makes this essential reading. --Luc Duplessis

From Library Journal

Blish's sf epic was originally published as four separate novels--They Shall Have Stars; A Life for the Stars; Earthman, Come Home; and The Triumph of Time--which became known over time collectively as the "Okie novels." The title of this edition is apt, as the thread of the story concerns entire cities that fly through space. All sf collections will want this.
Copyright 2000 Reed Business Information, Inc.

Review

This is a fascinating read, for it prefigures many of the themes that pervade the author's subsequent books: planetary/ecological disaster, entropy, the devolution of human nature, a preoccupation with the roots of violence. For those unfamiliar with Ballard, it's a good introduction -- more accessible and less transgressive than some of his later work, yet full of the arresting surrealism and hallucinatory brilliance of language that are hallmarks of his writing.

About the Author

J.G. Ballard was born in 1930 in Shanghai, where his father was a businessman. After internment in a civilian prison camp, he and his family returned to England in 1946. His 1984 bestseller Empire of the Sun won the Guardian Fiction Prize and the James Tait Black Memorial Prize, and was shortlisted for the Booker Prize. It was later filmed by Steven Spielberg. His controversial novel Crash was also made into an equally controversial film by David Cronenberg. His most recent novels include the Sunday Times bestsellers Cocaine Nights and Super-Cannes.

Amazon.com Review

Nobody but Philip K. Dick could so successfully combine SF comedy with the unease of reality gone wrong, shifting underfoot like quicksand. Besides grisly ideas like funeral parlors where you swap gossip for the advice of the frozen dead, Ubik (1969) offers such deadpan farce as a moneyless character's attack on the robot apartment door that demands a five-cent toll:

"I'll sue you," the door said as the first screw fell out.

Joe Chip said, "I've never been sued by a door. But I guess I can live through it."

Chip works for Glen Runciter's anti-psi security agency, which hires out its talents to block telepathic snooping and paranormal dirty tricks. When its special team tackles a big job on the Moon, something goes terribly wrong. Runciter is killed, it seems--but messages from him now appear on toilet walls, traffic tickets, or product labels. Meanwhile, fragments of reality are timeslipping into past versions: Joe Chip's beloved stereo system reverts to a hand-cranked 78 player with bamboo needles. Why does Runciter's face appear on U.S. coins? Why the repeated ads for a hard-to-find universal panacea called Ubik ("safe when taken as directed")?

The true, chilling state of affairs slowly becomes clear, though the villain isn't who Joe Chip thinks. And this is Dick country, where final truths are never quite final and--with the help of Ubik--the reality/illusion balance can still be tilted the other way. --David Langford, Amazon.co.uk

Review

SALES POINTS 'One of the most original practitioners writing any kind of fiction, Dick made most of the European avant-garde seem like navel-gazers in a cul-de-sac' - Sunday Times 'My literary hero' -- Fay Weldon 'For everyone lost in the endlessly multiplicating realities of the modern world, remember: Philip K. Dick got there first' -- Terry Gilliam

Amazon.com Review

One of the most influential vampire novels of the 20th century, I Am Legend regularly appears on the "10 Best" lists of numerous critical studies of the horror genre. As Richard Matheson's third novel, it was first marketed as science fiction (for although written in 1954, the story takes place in a future 1976). A terrible plague has decimated the world, and those who were unfortunate enough to survive have been transformed into blood-thirsty creatures of the night. Except, that is, for Robert Neville. He alone appears to be immune to this disease, but the grim irony is that now he is the outsider. He is the legendary monster who must be destroyed because he is different from everyone else. Employing a stark, almost documentary style, Richard Matheson was one of the first writers to convince us that the undead can lurk in a local supermarket freezer as well as a remote Gothic castle. His influence on a generation of bestselling authors--including Stephen King and Dean Koontz--who first read him in their youth is, well, legendary. --Stanley Wiater

From Publishers Weekly

Starred Review. Robert Neville has witnessed the end of the world. The world's population has been obliterated by a vampire virus, though Neville has somehow survived. As he toils to make sense of it all and protect himself against the hounding vampires who seek out his life force, Neville embarks on a series of projects to discover the source of the plague and hopefully put an end to the vampires. In a tale that plays with the slippery slope of sanity, Dean makes the perfect choice for a narrator. His powerful performance proves chilling and haunting. As Neville teeters on the edge of sanity, Dean manipulates his tone, speed, emphasis and projection accordingly, making listeners tremble with his narration. While some might rebuke his narration for being too dramatic or providing too much interpretation, Dean's intensity adds to the book in a way that benefits listeners over readers. The visceral nature of his performance evokes the image of a foamy-mouthed Dean growling at a microphone with spittle flying. A Tor paperback. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Amazon.com Review

An ever-expanding subgenre of science fiction is devoted to "alternate worlds" or "alternate histories": fiction in which a crucial event goes differently than in the world we know, and history is changed. Keith Roberts's Pavane (1968) is set in a backward 20th century molded by the assassination of Queen Elizabeth I and the triumph of a militantly antiscience Catholic Church. This is a classic alternate history, in the same company as such highly regarded novels as L. Sprague De Camp's seminal Lest Darkness Fall (1941), in which a modern man slips back in time and attempts to avert the Dark Ages; Ward Moore's Bring the Jubilee (1953), set after the South wins the U.S. Civil War; and Philip K. Dick's The Man in the High Castle (1962), set after the Germans and Japanese win World War II. Lest Darkness Fall and The Man in the High Castle are justly famous; the other two classics, Bring the Jubilee and Pavane, are less well known, and that is a shame.

One reason for Pavane's relative obscurity among American SF readers might be its British setting and author (the Moore and Dick novels are both set in the U.S., and De Camp, Moore, and Dick were all American). Another reason might be that Pavane is a novel created from interrelated but standalone stories (six "measures," or novelettes, and a coda), and the stories are of varying quality. Most are wise, beautifully written, and intensely visualized, especially the opener, "The Lady Margaret," and the closer, "Corfe Gate"; but "Brother John," the story of the monk-artist who witnesses Inquisition tortures and sparks an anti-Church rebellion, is far less detailed, and sometimes even unclear. Another reason for the novel's obscurity may be that some of the stories/chapters have more of a fantasy feel than is typical of more recent alternate history. Also, the nature of the coda's revelations may put off some readers. Nonetheless, Pavane is an intelligent, powerful, and moving work, deserving of a wide readership. --Cynthia Ward

From Publishers Weekly

First published in 1968, these intricately linked short stories (broken into six measures and a coda) constitute a pioneering work of alternative history that has influenced many contemporary SF and fantasy writers. In them a twisted Church of Rome rules a modern world where steam locomotives are the primary mode of transportation, semaphores (telegraph signals moved by hand and read via binoculars) are used for communication and the horrors of the Inquisition continue. Why? Because in 1588 Queen Elizabeth I was assassinated, leading to the Spanish Armada's defeat of England and the subsequent suppression of the Protestant Church. But in this stately "dance" of stories, revolution becomes inevitable when society's natural cultural and scientific progress can no longer be contained. Roberts displays intense respect and love for history as he rewrites it with deft abandon. Three measures in particular stand out as profound today, just as they did when originally published: "The Signaller," which allegorically portrays a young guild member who pays a high price for his dedication to communication; "Brother John," a stunning portrayal of a devoted priest's traumatizing encounter with torture and his resultant reaction; and, finally, "The White Boat," another almost mythological piece about a young girl's obsession with a boat that can take her to freedom. All the other stories are excellent, but these are outstanding examples of why revolutions occur. Impact is doing a great service by reprinting this and other classics.

Copyright 2001 Cahners Business Information, Inc.

Review

"A wake-up call to a world slumbering in the opium dream of consumerisum; in the hazy certainty that we humans were in charge of nature. Science fiction is not about predicting the future, it's about elucidating the present and the past. Brunner's 1968 nightmare is crystallizing around us, in ways he could not have foreseen then. If the right people had read this book, and acted in accordance with its precepts and spirit, our world would not be in such precarious shape today. Maybe it's time for a new generation to read it."--Joe Haldeman

"A quite marvelous projection in which John Brunner landscapes a future that seems the natural foster child of the present."
--Kirkus Reviews

About the Author

JOHN BRUNNER (1934-1995) published his first novel pseudonymously at the age of 17, and through the 1950s and early 1960s wrote many SF adventure novels. His work grew more ambitious in the late 1960s; Stand on Zanzibar, a Hugo Award-winner, is generally regarded as his greatest achievement.

HG Wells virtually defined modern science fiction with the two tales featured in this double volume, a welcome addition to the SF Masterworks series.

The Time Machine is the classic tale of a time traveller's journey to the world of 802,701 AD where humanity is divided between the bad and the beautiful, a simplistic vision at first glance but a prophetic take on a future that may not be so far removed from a reality yet to take hold, simply lurking in the shadows and waiting for the human race to bring it about by its own hand.

Product Description

On October 30, 1938, Orson Welles terrified American radio listeners by describing a Martian invasion of Earth in a broadcast that became legendary. Forty years earlier, H. G. Wells had first penned the story: The War of the Worlds, a science-fiction classic that endures in our collective subconscious.

Deeply concerned with the welfare of contemporary society, Wells wrote his novel of interplanetary conflict in anticipation of war in Europe, and in it he predicted the technological savagery of twentieth century warfare. Playing expertly on worldwide security fears, The War of the Worlds grips readers with its conviction that invasion can happen anytime, anywhere—even in our own backyard.

Introduction to War of the Worlds

The Martians also reflect Wells himself. Just as the bicycle liberated Wells from the limitations of a weak body, the machines used by the Martians, who are weighed down because the pull of gravity is stronger on Earth than it is on Mars, enable them to move swiftly and attack without warning. The machine is an extension of a body, a kind of prosthetic device that supplies an ability the body lacks. The Martian sitting on top of a huge, three-legged fighting machine striding across Surrey toward London resembles nothing so much as Wells piloting his bicycle around the countryside. And the Martians, like Wells, tend to work alone. That is, while they are involved in a collective activity—the invasion and conquest of England, which is, by extension, the world—they work alone in their fighting machines or their aluminum manufacturing devices. Except for their time in the space capsule, they are rarely together.

Wells's first problem was to decide how to tell such a tale. He could use an external, omniscient narrator, but that would cut down on the immediacy of the action and make it seem much more like history. A single first-person narrator would be possible, but that person would have to travel long distances at almost superhuman speed in order to see everything involved in the Martian invasion. Wells opts for a device Robert Louis Stevenson (1850-1894) uses in Treasure Island (1883), having a first-person narrative become two first-person narratives by introducing a second character who tells us about what happened elsewhere. This is, admittedly, an awkward device because the two characters—brothers in The War of the Worlds—are not in communication with each other. Their separate stories become a single story because the primary narrator takes control of his brother's tale, treating him in the same way an omniscient narrator would treat a character.

The primary narrator, then, is both witness and author, a modification of the narrator of The Time Machine, who transcribes the story of the Time Traveller. The personality of this narrator is a vexing matter, and it is here Wells departs from traditional novelistic practice. Wells clearly had many options in this situation: He could make his nondescript, suburban science writer into a hero by having him either subdue the Martians or lay the foundations for an organized defense. That solution does not suit Wells's hidden intention, which is to warn those people capable of understanding that their world is rotten and will fall at the first blow from an outside force.

Wells does what in both human and novelistic terms makes the most sense: He makes his narrator a man of science, but a conventional thinker and not a man in the line of the Time Traveller. He is not a leader, not a warrior, but a man imbued with curiosity. He wants to understand the Martians, wants to observe their machines, and wants to survive to tell the tale. His psychological depth is slight: He loves his wife, detests the mad clergyman who almost manages to deliver him to the Martians, feels guilt about being responsible for the man's death, and has a nervous breakdown after learning that the Martians all die because of Earth's bacteria. The second central figure, the narrator's brother, is no more developed than the narrator. He is a "medical student, working for an imminent examination", but that is all we know of him. When, in the final chapter of book one, Wells feels he no longer needs the brother, he simply has him board a ship, witness a navy vessel ram two Martian fighting machines, and sail to Europe. We then return to the adventures of our primary narrator.

This sacrifice of character depth to action explains the success of The War of the Worlds. If Wells had transformed his narrator into a preachy precursor of his New Republicans, the reader would probably begin to cheer for the Martians. Instead, he uses both brothers as innocent points of view, reporters telling us what they saw. That they have emotions is merely incidental to their role as informants.

Wells relegates his ideas to the minor characters, carefully linking them to human imperfections so that the novel does not degenerate into sermon or essay. Probably the most interesting example of this is the artilleryman. In book one, chapter 11, the narrator, hiding inside his Woking house, sees a man trying to escape the Martians. He invites the man in and learns he is a soldier, "a driver in the artillery" whose unit has been wiped out by the Martians. The two separate in chapter 12, and we think we've seen the last of the artilleryman until suddenly in book two, chapter 7, he reappears, and now it is he who extends hospitality to the narrator.

From Library Journal

To commemorate the 30th anniversary of Moorcock's Nebula Award-winning novel, Mojo is reissuing the book in a special illustrated edition that incorporates the author's corrections. Moorcock also provides a new afterword. All that in a hardcover for $12.95 makes this a bargain.
Copyright 1996 Reed Business Information, Inc.

Review

Behold The Man won the 1967 Nebula Award. Moorcock is an acknowledged master of fantasy with social and psychological bite, and this extremely controversial novella may well represent the best the fantasy field has to offer in terms of pure literary firepower. Karl Glogauer travels back in time two thousand years, meets John the Baptist, and then seeks Jesus Christ himself. To quote the jacket copy, "What he discovers shocks him to the core." This is a devastating story- science fiction at its most abstract and symbolic. And absolutely unforgettable. I'm ecstatic to have this beautiful corrected 30th Anniversary edition, with foreword by Jonathan Carroll and an afterword by the author, as well as lush illustrations by John Picacio. It's an essential element of any library of the fantastic- be grateful Mojo Press cared enough to make it available again. -- from William D. Gagliani's "Literature Fantastique" column from the December 1996 issue of Booklovers

Amazon.com Review

In a world policed by telepaths, Ben Reich plans to commit a crime that hasn't been heard of in 70 years: murder. That's the only option left for Reich, whose company is losing a 10-year death struggle with rival D'Courtney Enterprises. Terrorized in his dreams by The Man With No Face and driven to the edge after D'Courtney refuses a merger offer, Reich murders his rival and bribes a high-ranking telepath to help him cover his tracks. But while police prefect Lincoln Powell knows Reich is guilty, his telepath's knowledge is a far cry from admissible evidence.

About the Author

SALES POINTS * #14 in the Millennium SF Masterworks series, a library of the finest science fiction ever written * The first-ever winner of the Hugo Award for best sf novel of the year. * 'Bester's two superb books have stood the test of time. For nearly fifty years they've held their place on everybody's list of the ten greatest sf novels' -- Robert Silverberg * 'Alfred Bester wrote with the pedal to the floor and the headlights on full beam. His work combined erudition with an unparalleled imaginative inventiveness. Bester was writing cyberpunk while William Gibson was still running around zapping the other kids at school with a toy raygun' -- James Lovegrove

Review

"Dick was... one of the genuine visionaries that American fiction has produced in this century, and his best novels constitute as significant a body of work as that of any writer in this country in the last thirty years."
-- L.A. Weekly

From the Inside Flap

Dr. Eric Sweetscent has problems. His planet is enmeshed in an unwinnable war. His wife is lethally addicted to a drug that whips its users helplessly back and forth across time -- and is hell-bent on making Eric suffer along with her. And Sweetscent's newest patient is not only the most important man on the embattled planet Earth but quite possibly the sickest. For Secretary Gino Molinari has turned his mortal illness into an instrument of political policy -- and Eric cannot tell if his job is to make the Male better or to keep him poised just this side of death.

Now Wait for Last fear bursts through the envelope between the impossible and the inevitable. Even as ushers us into a future that looks uncannily like the present, it makes the normal seem terrifyingly provisional -- and compels anyone who reads it to wonder if he really knows what time it is.

From Publishers Weekly

Generations in the future, when humanity has spread to other planets and Earth is ruled by Sanctity, a dour, coercive religion that looks to resurrection of the body by storing cell samples of its communicants, a plague is threatening to wipe out mankind. The only planet that seems to be spared is Grass, so-called because that is virtually all that grows there. It was settled by families of European nobility who live on vast estancias and indulge in the ancient sport of fox hunting--although the horses, hounds and foxes aren't what they what they appear to be. Rigo and Marjorie Westriding Yrarier and family are sent to Grass as ambassadors and unofficial investigators because the ruling families--the bons--have refused to allow scientists to authenticate the planet's immunity from the plague. The egotistical Rigo sets out to prove himself to the bons while Marjorie remains wary about the relationship between the hunters and the hunted. She gains allies in her search, but invasion strikes from an unexpected quarter before the truth about an alien species comes to light. Tepper ( The Gate to Women's Country ) delves into the nature of truth and religion, creating some strong characters in her compelling story.
Copyright 1989 Reed Business Information, Inc.

About the Author

Sheri S. Tepper is the author of several resoundingly acclaimed novels, including the Arthur C. Clarke Award-nominated GIBBON'S DECLINE AND FALL, SIX MOON DANCE, THE FAMILY TREE, A PLAGUE OF ANGELS, SIDESHOW and BEAUTY, which was voted Best Fantasy Novel of the Year by readers of LOCUS.

Amazon.com Review

A brothel keeper's sons discuss genocide and plot murder; a young alien wanderer is pursued by his shadow double; and a political prisoner tries to prove his identity, not least to himself. Gene Wolfe's first novel consists of three linked sections, all of them elegant broodings on identity, sameness, and strangeness, and all of them set on the vividly evoked colony worlds of Ste. Croix and Ste. Anne, twin planets delicately poised in mutual orbit.

Marsch, the victim in the third story, is the apparent author of the second and a casual visitor whose naïve questions precipitate tragedy in the first. The sections dance around one another like the planets of their settings. Clones, downloaded personalities inhabiting robots, aliens that perhaps mimicked humans so successfully that they forgot who they were, a French culture adopted by its ruthless oppressors--there are lots of ways to lose yourself, and perhaps the worst is to think that freedom consists of owning other people, that identity is won at the expense of others.

It is easy to be impressed by the intellectual games of Wolfe's stunning book and forget that he is, and always has been, the most intensely moral of SF writers. --Roz Kaveney, Amazon.co.uk

Review

"Gene Wolfe is unique. If there were forty or fifty of this first-rate author--no, let's be reasonable and ask Higher Authorities for only four or five--American literature as a whole would be enormously enriched." --Chicago Sun-Times

"One of the major fictional works of the decade...Wolfe's novel, with its elusiveness and its beauty, haunts one long after reading it." --Pamela Sargent

"A richly imaginative exploration of the nature of identity and individuality." --Malcolm Edwards, The Science Fiction Encyclopedia

"SF for the thinking reader..The style is highly literate and the ideas sophisticated and handled with sensitivity." --Amazing SF

"One of the 100 best science fiction novels...A truly extraordinary work. One of the most cunningly wrought narratives in the whole of modern SF, a masterpiece of misdirection, subtle clues, and apparently casual revelations." --David Pringle

Amazon.com Review

In the 1960s, Roger Zelazny dazzled the SF world with what seemed to be inexhaustible talent and inventiveness. Lord of Light, his third novel, is his finest book: a science fantasy in which the intricate, colorful mechanisms of Hindu religion, capricious gods, and repeated reincarnations are wittily underpinned by technology. "For six days he had offered many kilowatts of prayer, but the static kept him from being heard On High." The gods are a starship crew who subdued a colony world; developed godlike--though often machine-enhanced--powers during successive lifetimes of mind transfer to new, cloned bodies; and now lord it over descendants of the ship's mere passengers. Their tyranny is opposed by retired god Sam, who mocks the Celestial City, introduces Buddhism to subvert Hindu dogma, allies himself with the planet's native "demons" against Heaven, fights pyrotechnic battles with bizarre troops and weapons, plays dirty with politics and poison, and dies horribly but won't stay dead. It's a huge, lumbering, magical story, told largely in flashback, full of wonderfully ornate language (and one unforgivable pun) that builds up the luminous myth of trickster Sam, Lord of Light. Essential SF reading. --David Langford, Amazon.co.uk

About the Author

Roger Zelazny burst onto the SF scene in the early 1960s with a series of dazzling and groundbreaking short stories. He won his first of six Hugo Awards for Lord of Light, and soon after produced the first book of his enormously popular Amber series, Nine Princes in Amber. In addition to his Hugos, he went on to win three Nebula Awards over the course of a long and distinguished career. He died on June 14, 1995.

Never before published in its entirety in the United States, The Complete Roderick is John Sladek's masterpiece. Roderick is a robot who learns. He begins life looking like a toy tank, thinking like a child, and knowing nothing about human ways. But as he will discover, growing up and becoming fully human is no easy task in a world where many people seem to have little trouble giving up their humanity.

The Complete Roderick is widely considered to be the most ambitious and genius work of a novelist described by The Encyclopedia of ScienceFiction as "the most formally inventive, the funniest, and very nearly the most melancholy of modern US science fiction writers."

Review

"Superb comparable with early Kurt Vonnegut." Time Out

About the Author

John Sladek (1937-2000) was born in the United States andmoved to the U.K. in 1966, where he became involved with the British New Wave movement and New Worlds Magazine, sometimes collaborating with his childhood friend, Thomas M. Disch. Sladek's other novels include The Reproductive System, The Muller-Fokker Effect, and Tik-Tok.

Review

"A moral tale that has elements of Aldous Huxley's Brave New World, Superman, and Star Wars."--Los Angeles Times Book Review

"Set in a far future in which robots run a world with a small and declining human population, this novel could be considered an unofficial sequel to Fahrenheit 451, for its central event and symbol is the rediscovery of reading."--San Francisco Chronicle

"Because of its affirmation of such persistent human values as curiosity, courage, and compassion, along with its undeniable narrative power, Mockingbird will become one of those books that coming generations will periodically rediscover with wonder and delight."--The Washington Post

"I've read other novels extrapolating the dangers of computerization but Mockingbird stings me, the writer, the hardest. The notion, the possibility, that people might indeed lose the ability, and worse, the desire to read, is made acutely probable."--New York Times bestselling author ANNE MCCAFFREY

"Walter Tevis is science fiction's great neglected master, one of the definitive bridges between sf and literature. For those who know his work only through the movies, the lucid prose and literary vision of Mockingbird and The Man Who Fell to Earth will come as a revelation."
--AL SARRANTONIO, Author of The Five Worlds saga

From the Inside Flap

Mockingbird is a powerful novel of a future world where humans are dying. Those that survive spend their days in a narcotic bliss or choose a quick suicide rather than slow extinction. Humanity's salvation rests with an android who has no desire to live, and a man and a woman who must discover love, hope, and dreams of a world reborn.

Review

Four women living in parallel worlds, each with a different gender landscape. When they begin to travel to each other's worlds each woman's preconceptions on gender and what it means to be a woman are challenged.Acclaimed as one of the essential works of science fiction and an influence on William Gibson, THE FEMALE MAN takes a look at gender roles in society and remains a work of great power.

About the Author

Nebula and Hugo Award winner Joanna Russ is the author of The Adventures of Alyx, Extra(Ordinary) People, and To Write Like a Woman, among many other books.

Amazon.com Review

Ursula K. Le Guin is one of science fiction's greatest writers. She is also an acclaimed author of powerful and perceptive nonfiction, fantasy, and literary fiction. She has received many honors, including six Nebula and five Hugo Awards, the National Book Award, the Pushcart Prize, the Newbery, the Pilgrim, the Tiptree, and citations by the American Library Association. She has written over a dozen highly regarded novels and story collections. Her SF masterworks are The Left Hand of Darkness (1969), The Dispossessed (1974), and The Lathe of Heaven (1971).

George Orr has dreams that come true--dreams that change reality. He dreams that the aunt who is sexually harassing him is killed in a car crash, and wakes to find that she died in a wreck six weeks ago, in another part of the country. But a far darker dream drives George into the care of a psychotherapist--a dream researcher who doesn't share George's ambivalence about altering reality.

The Lathe of Heaven is set in the sort of worlds that one would associate with Philip K. Dick, but Ms. Le Guin's treatment of the material, her plot and characterization and concerns, are more akin to the humanistic, ethically engaged, psychologically nuanced fiction of Theodore Sturgeon. The Lathe of Heaven is an insightful and chilling examination of total power, of war and injustice and other age-old problems, of changing the world, of playing God. --Cynthia Ward

Review

"When I read The Lathe of Heaven as a young man, my mind was boggled; now when I read it, more than twenty-five years later, it breaks my heart. Only a great work of literature can bridge - so thrillingly - that impossible span." - Michael Chabon

"A rare and powerful synthesis of poetry and science, reason and emotion." -- The New York Times

"Gracefully developed...extremely inventive.... What science fiction is supposed to do." -- Newsweek

"Profound. Beautifully wrought...[Le Guin's] perceptions of such matters as geopolitics, race, socialized medicine, and the patient-shrink relationship are razor sharp and more than a little cutting." -- National Review

Review

“A novel of the future that the present must inevitably rank as a classic.”—The New York Times

About the Author

FREDERIK POHL’s writing career spans over seventy years. He won the National Book Award in 1980 for his novel Jem. From about 1959 until 1969, Pohl edited Galaxy magazine and its sister magazine, If, winning the Hugo Award for it three years in a row. His writing also won him four Hugos and multiple Nebula Awards. He became a Nebula Grand Master in 1993. Pohl won the 2010 Hugo Award for Best Fan Writer, based on his writing on his blog, “The Way the Future Blogs.”