From the Inside Flap

"[WARD MOORE IS] ONE OF THE BEST AMERICAN WRITERS."
--Ray Bradbury

The United States never recovered from The War for Southern Independence. While the neighboring Confederacy enjoyed the prosperity of the victor, the U.S. struggled through poverty, violence, and a nationwide depression.

The Industrial Revolution never occurred here, and so, well into the 1950s, the nation remained one of horse-drawn wagons, gaslight, highwaymen, and secret armies. This was home for Hodgins McCormick Backmaker, whose sole desire was the pursuit of knowledge. This, he felt, would spirit him away from the squalor and violence.

Disastrously, Hodgins became embroiled in the clandestine schemes of the outlaw Grand Army, from which he fled in search of a haven. But he was to discover that no place could fully protect him from the world and its dangerous realities. . . .

"The Civil War has been often rethought, most effectively in Ward Moore's Bring the Jubilee."
--Donald E. Westlake
The New York Times

About the Author

SALES POINTS * #42 in the Millennium SF Masterworks series, a library of the finest science fiction ever written. * 'Seminal ... concise and elegiac' Encylopedia of Science Fiction * 'A classic alternative world story' Brian Aldiss * 'One of the best American writers' Ray Bradbury

Review

"This is wonderful and terrifying SF—terrifying because its premise, the takeover of the United States by a third-rate world power, is at once so preposterous and yet, in the hands of this highly skilled writer, so stupefyingly believable. Certainly Arslan is the best political novel I've read in more than a decade."—Samuel R. Delany

"Engh creates a truly shocking situation, introduces a monstrous character, and then refuses to satisfy any of the emotions he has aroused . . . Engh's performance is as perversely flawless as Arslan's."—The New York Times

"Arslan is an astonishing novel—not just for its strange and uncompromising content, but as well for the unforgivable passing of a decade before its being published in a permanent edition. This phantasmagorical vision of an America occupied by a foreign power is a tour de force. It is shocking, chilling and thoughtful."—Edward Bryant

"Arslan's goal is not merely to conquer the world, but to destroy it. Just by chance, it seems, he has chosen a small Illinois town to be the capital of his all-embracing empire. Yet this is not really the tale of great world events. It all comes down to a handful of unforgettable men and women, whose pain and cruelty and compassion shine a spotlight on human nature. What makes Engh's novel extraordinary is her perfect understanding of power, how it grows out of the heat between people who hate and fear each other. Arslan makes Khomeini look wishy-washy, as he takes ordinary people and tears at them until they die, or become strong enough to be his rivals. Arslan starts with a strong science fiction premise—and then raises it to the level of the greatest tragedies. You will find surprises almost from the start, as Engh shatters the tired cliches of the genre. And by the end of the book, exhausted and fulfilled, you will realize you have read something that stands head and shoulders above the other fiction of its time."—Orson Scott Card

From the Back Cover

“Engh creates a truly shocking situation, introduces a monstrous character, and then refuses to satisfy any of the emotions he has aroused . . . . Engh’s performance is as perversely flawless as Arslan’s.”—The New York Times

A Classic of Political Science Fiction

“Arslan starts with a strong science fiction premise—and then raises it to the level of the greatest tragedies. You will find surprises almost from the start, as Engh shatters the tired cliches of the genre. And by the end of the book, exhausted and fulfilled, you will realize you have read something that stands head and shoulders above the other fiction of its time.”—Orson Scott Card

Arslan is a young Asian general who conquers the world in a week without firing a shot, and shortly thereafter sets up his world headquarters in a small town in Illinois. And if this did occur, this is how it would happen.

“This is wonderful and terrifying SF—terrifying because its premise, the takeover of the United States by a third-rate world power, is at once so preposterous and yet, in the hands of this highly-skilled writer, so stupefyingly believable. Certainly Arslan is the best political novel I’ve read in more than a decade.”—Samuel R. Delany

Review